In April and May of 2012 the Maha Sangeet Samman and the Bangavibhusan Samman, two of the StateвЂ™s highest awards, were also conferred to him. Recipient of as many as 4 prestigious national awards вЂ“ by the President of India вЂ“ Padma Shri (2011), Sangeet Natak Akademi Award (Delhi, 1999-2000), The Kumar Gandharva Samman (National Award, 1993) and the Best Male Playback Singer (Bengali Film вЂњChhandaneerвЂќ1990) вЂ“ he has also received felicitations from both the former and present Chief Ministers of his own State, West Bengal.

Being the academyвЂ™s very first outstanding scholar, he became their only gold medalist fellow, a member of their ExpertsвЂ™ Committee and a senior Guru where he still serves as a prime mover in all its promotional courses to date. He graduated top of his class in music, both in B.A and M.A from the prestigious Rabindra Bharati University in Kolkata and joined the ITC Sangeet Research Academy in 1977. Despite having such pure classical вЂњtaleemвЂќ in the Dhrupad-Khyal genre, he is amazingly adroit and a trend setter, in rendering all the lighter forms like Thumri, Tappa, Geet, Bhajan, Keertan, Folk, Film/Non-Film and modern songs, in several different languages, like Hindi, Urdu, Bengali, Tamil, Telegu, Persian and even in English, which all together, has given him the single distinguished recognition of being an absolutely one-of-a-kind musical personality, in the music scene of India today. Balamuralikrishna, that kept enriching his musical expression and repertoire. Nibruttibua Sarnaik, Vidushi Hirabai Barodekar and in Carnatic styles from Professor, Dr. His training was then continued under Ustad Munawar Ali Khan (son of Ustad Bade Ghulam Ali Khan).Д«esides that, he had learnt from several other maestros like Ustad Latafat Hussain Khan, Pt. His father, late Shri Ajit Kumar Chakraborty, Shri Pannalal Samanta and Shri Kanaidas Baigari were the ones, with whom his initial orientation happened, before he was warmly accepted by the ultimate and the greatest Guru of all times, Padmabhushan Pandit Jnan Prakash Ghosh. This is perhaps because of his wide exposure to various genres and their maestros and musicologists besides his own gurus. Although considered a scion and doyen of the Patiala-Kasur Gharana (style), primarily representing Ustad Bade Ghulam Ali Khan SahibвЂ™s gayaki, he can equally portray even the most subtle features of other major classical gharanas of India like Indor, Delhi, Jaipur, Gwalior, Agra, Kirana, Rampur and even Carnatic music of South India. Pandit Ajoy Chakrabarty is poised nearly as a cult figure among all the legendary Indian Classical Vocalists of today.

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